Contents. Production In 1970s Munich, led by producers and, had produced a number of disco hits, including Summer's ' (1975).
Summer had moved to Munich to perform in the musical, and had become a successful session vocalist. Moroder described her as 'an incredibly talented singer, who could improvise but was also very disciplined'. Summer's fifth album, (1977), would be a with each track evoking a different musical decade, such as 40s, 60s, and 70s and disco.
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For the final track, 'I Feel Love', the team wanted to create a futuristic mood. Before 'I Feel Love', most recordings were backed by orchestras. Instead, the team produced 'I Feel Love' with a synthesizer borrowed from the classical composer, aided by Schoener's assistant, Robby Wedel. Wedel proved essential for using the technically complex synthesizer, and Moroder described him as the 'unsung hero' of the project.
He demonstrated how to synchronize the song's various elements using an internal, a feat Moroder described as 'a revelation'. The song was recorded on a, with the various parts played on a. As the Moog went out of tune quickly, it had to be recorded in bursts of twenty or thirty seconds before being retuned. To create the hi-hat sound, the team took generated by the Moog and processed it with an envelope. As the Moog could not create an appropriate sound, the kick was played on a drum kit by session drummer. Aside from Summer's vocals, the kick drum is the only element of the song not played by a machine. Bellotte wrote the lyrics, which Summer recorded in one take.
In contrast to the deeper of most disco vocals, Summer sang in, which Pitchfork described as 'breathy and angelic'. Unusually for a disco track of that era, Moroder composed the backing track and bassline before the melody. He introduced a variety by altering the at regular intervals and layering in Summer's vocals. Composition 'I Feel Love' is in the of, with electronic dance flavor, and choruses and interludes.
The album version has a length of 5:53. It was extended to 8:15 for release as a 12' maxi-single, and is included on the 1989 compilation. The song was edited to 3:45 on the 7' format, the fade-in opening sound reaching maximum volume sooner and fades out before the third verse and final choruses.This version has been included on a large number of greatest hits packages and other compilations issued by, and others, such as 1994's and 2003's. A new edit of 3:20 was released on Donna Summer's first compilation album. Following its huge commercial success, Summer, Moroder and Bellotte produced an 11-minute 'Now I Need You'/'Working the Midnight Shift' sequence on Summer's 1977 double album, which successfully builds on 'I Feel Love's pioneering ethereal vocals, mechanised beats, sequenced. Each note of the bassline is doubled by a. The unmodified bassline plays through the and the slightly delayed repetition through the right, creating a flickering, strobe-like effect.
Critical reception According to, then in the middle of recording of his with, its impact on the genre's direction was recognized early on; 'One day in Berlin. Eno came running in and said, 'I have heard the sound of the future.' He puts on 'I Feel Love,' by Donna Summer. He said, 'This is it, look no further.
This single is going to change the sound of club music for the next fifteen years.' Which was more or less right.' Music critic wrote that, 'The pace is fierce and utterly gripping with the synthesizer effects particularly aggressive and emotionally charged.' He went on to predict that the track 'should easily equal if not surpass' the success of in the clubs. Sales The song peaked at number six on the US chart the week of November 12, 1977.
![Song Song](http://e-cdn-images.deezer.com/images/cover/b16ac3d481a07f151ac26a592fffe2f9/500x500.jpg)
It reached number nine on the Soul Singles Chart in October 1977. Its 1995 remix peaked at number nine on the.
In the United Kingdom, 'I Feel Love' peaked at the top of the in July 1977, a position it maintained for four weeks. It also topped the charts in Australia, Austria, Belgium, France, Italy and the Netherlands; and peaked within the top ten in Canada, Ireland, Germany, New Zealand, Norway, South Africa, Sweden and Switzerland. The 1982 and 1995 remixes of the song peaked at number 21 and number eight on the chart respectively, and sales of these physical singles totalled 956,400. According to the, together with digital sales, 'I Feel Love' has sold 1.07 million copies in Britain as of June 2013, making it the country's 103rd best-selling single of all time.
Legacy and 's innovative production of this disco-style song, recorded with an entirely backing track, utilizing a, spawned imitators in the disco genre and was influential in the development of, and later. In a 2017 feature on the song's 40th anniversary for, journalist reflected that 'I Feel Love' had a significant impact on music across all genres for the next decade, including rock-leaning genres such as and, and subsequent sub-genres of the style the song had pioneered, including,. Reynolds also posited 'If any one song can be pinpointed as where the 1980s began, it's 'I Feel Love'.'
Ranked the song number 12 in its 100 Greatest Dance Singles Of All Time list in 1996, adding: Whenever, however you hear this tune, it's guaranteed to make you smile, shut your eyes and trance out. The first electronic disco masterpiece, disco diva Donna and Moroder's finest, trippiest moment. Whether it's Derrick May or Carl Craig slipping Patrick Cowley's deliciously psychedelic 1982 remix into their techno sets, or Masters at Work climaxing a four deck set with last years garaged-up remake, or just some bloke in a bow tie playing the original at your brother's wedding, this record is timeless. And priceless. Ranked the song 1st in its 100 Greatest Dance Songs-list in 2006, adding: No longer would synthesizers remain the intellectual property of prog-classical geeks.
And, separated from its LP context and taken as a Top 10 single, it didn't just suggest the future, it was the future. Cooing ascending couplets of an almost banal ecstasy, Summer's breathy vocals still dwelled in the stratosphere of her own manufactured sensation. In 2011, 's Richard Vine ranked the release of 'I Feel Love' as one of 50 key events in the history of dance music, proclaiming it 'one of the first to fully utilise the potential of electronics, replacing lush disco orchestration with the hypnotic precision of machines'. Ranked it number 19 in its 2013 '50 Greatest Dance Tracks Of All Time listed the song number 12 in their The 100 best party songs list in 2018, adding: Sometimes a song comes along that's so innovative that it changes the shape of the musical landscape for decades, whilst also getting you to shake yo bootay. This timeless, Giorgio Moroder-produced disco anthem from 1977 did exactly that, becoming the first purely electronic jam to make it big and pretty much inventing dance music in the process.
Critics' lists The information regarding lists including 'I Feel Love' is adapted from, except where otherwise noted.
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